Das Liebesmahl der Apostel () WWV 69 (in English The Feast of Pentecost, "The Love-Meal of the Apostles") is a piece for orchestra and male choruses by Richard hs-360.org is rarely performed and little known. Many years after having written it, Wagner described it as "a sort of folkloric miracle play". WWV 69 (in English The Feast of Pentecost, The Love Meal of the Apostles) is a vocal and instrumental piece written by Richard Wagner in , which is not often performed and somewhat forgotten; it is a piece for male choruses and orchestra.. Egon Voss commented in the aforementioned essay that “due to the detachment of the stage from the audience area of a theatre, the ‘voices from above’ in Das Liebesmahl der Apostel are not nearly so impressive when heard in a theatre as when heard in the Frauenkirche, where the sound really did come directly ‘from above’.”. Das Liebesmahl der Apostel, Biblical Scene, Op. 69 () By Christopher Gibbs, Professor of Music, Bard College. Written for the concert Spiritual Romanticism, performed on June 6, at Avery Fisher Hall at Lincoln Center.
Email this Article Email Address:. We are using cookies for the best presentation of our site. He marked his inaugural year in September by selecting Symphony No. Impressively sprung rhythms are the foundation of the Scherzo together with ideal forward momentum. Wagner was asked to write a half-hour work for a summer choral festival.
Verdi Requiem Thielemann. Among the many duties Wagner assumed was leading an amateur male choral society, the Dresden Liedertafel , a group that he complained was more interested in socializing than in music-making. And some 35 years later, in his last opera, Parsifal , he employed not only voices from on high, but also reused some melodic passages from this obscure early composition. The choral parts for three or four singers at first respond at length a cappella , evoking the disarray of the apostles, then come together in an impressive crescendo calling upon the Spirit to come down. Thielemann is nothing if not gripping and there's a considerable spirituality about what we hear that can leave a powerful effect on the listener. We are currently offering in excess of 51, reviews.
Thielemann is nothing if not gripping and there's a considerable spirituality about what we hear that can leave a powerful effect on the listener. Click here to subscribe. Decisive and committed in the Finale everything feels clean and vibrant. Then comes the chorus "Be comforted", preceding an intervention by the orchestra, soon to accompany the descent of the Holy Spirit, in a triumphant ensemble. For other uses, see Rheingold. Mark and share Search through all dictionaries Translate… Search Internet. The climaxes are remarkable with Thielemann perceptively building up the tension from hushed passages to furious crescendos.